Justin Bieber spent his last day as a 22-year-year doing what he’s best at: being all over the place.
Maybe it’s just the sense of ennui which comes from turning a year older, but recently Justin’s been acting even more extra than he usually does.
He walked around LA with a suspicious-looking wetness dripping down his crotch, wined about being single on Instagram, and to cap it all off, he posted a video of himself playing the keyboard with one hand and flashing his abs with the other, just to show his fans he’s working on new music and hasn’t been slipping on his fitness.
And he also showed off his studio, where the only decorations to break up the office vibe are a bunch of baby cacti, a poster of a multi-color tiger with the words “Justin Bieber” on it, and an arty portrait of himself.
New York native singer-songwriter ROREY announces today her sophomore EP, Dysphoria out August 15th. Haunting melodies and ethereal vocals swirl around hypnotic instrumentals and highlight vulnerable lyricism. ROREY is here to unnerve you, while pushing you to confront the depths of your psyche and to let you know that everything you’re afraid to say out loud is everything she’s feeling, too.
Love is the seed from which all great creations grow — a force that transforms fleeting moments into lasting legacies. In a world where art often reflects the human experience, it is love that fuels the deepest connections and inspires authentic storytelling. Bee & Rog Walker, the visionary duo behind Paper Monday, exemplify this harmony,
Kelly Akoussah built a cult following with slow‑motion outfit flips and dance loops, but the income side of the grid looked like tumbleweeds unless a brand deal slid into her inbox. When STARX MEDIA stepped in this spring, the US‑based Togolese creator discovered a revenue lane she had never tapped: Snapchat’s invite‑only monetisation program. STARX
Ballet Choreographers Gabrièl Stone Shayer and Stephanie Gotch sit down with us to discuss their latest collaboration “End of the World”. A bold new ballet piece that reimagines the boundaries of classical dance. Directed by former dancer and creative director Stephanie, and co-choreographed with former American Ballet Theatre soloist Gabe, the piece brings together a
