For Spring/Summer 2027, JennyFax finds inspiration in the contradictions that shaped designer Jen-Fang Shueh’s world. Titled Just Don’t Be Happy, Don’t Be Happy, the collection takes its name from a personal philosophy rooted in her upbringing—the lingering belief that becoming too happy or celebrating too much might tempt fate, and that a little caution could somehow bring good luck.
That tension carries throughout a collection informed by memories and influences that don’t necessarily belong together, but have always coexisted in Shueh’s life. Growing up in Asia with parents fascinated by European royal gardens and courtly aesthetics, attending a deeply religious Christian school despite not being particularly religious herself, and remembering the ordinary details of home—from an old family sofa to Saturday afternoons with her siblings and mountains of laundry—have all found their way into JennyFax’s creative universe. Rather than choosing between cultures, traditions or ideas, Shueh finds inspiration in the spaces between them, transforming childhood memories, faith, doubt and the beauty of everyday life into something distinctly her own.
About The Author: Taylor Winter Wilson
Senior Editor at Galore. Made in Detroit - Living in Atlanta.
For Spring/Summer 2027, Ottolinger is asking a simple question: What do our clothes actually do for the person wearing them? Creative directors Christa Bösch and Cosima Gadient found their answer in Moisturizer, a collection centered on confidence, sensuality and the feeling of being comfortable in your own skin. Inspired by those few intimate minutes spent
Some weeks require thoughtful cultural analysis. This one requires pointing at the screen. From Paris Fashion Week to Tate McRae’s first fragrance and the VMAs’ unlikely comeback, here’s everything currently occupying space in my head.
Matières Fécales has never been interested in playing by fashion’s rules. For Spring/Summer 2027, Hannah Rose Dalton and Steven Raj Bhaskaran turned their attention away from the ultra-wealthy world explored in last season’s The One Percent and toward everyone else. Titled The Ninety Nine Percent, the collection took over Paris’s Place de la République with