With so many people living their lives through the augmented reality app that is Pokemon GO, does anyone even have time to watch TV anymore?
Netflix wants to make sure you do. Business Insider spoke to Netflix’s chief content officer, Ted Sarandos, about the company’s plan to expand their growth in the next year, a.k.a their plan for staying relevant.
“We’re not just competing with an ABC comedy,” he said. “We’re competing with ‘Pokemon GO.’ And we’re competing with ‘Star Trek’ and ‘Star Wars’ movies. We’re competing for a lot of attention in a really noisy world. To do that you have to take some big swings.”
This year Netflix spent $6 billion on their programming budget, which contributed to two of the most expensive shows in television history, one of which is Baz Luhrmann’s “The Get Down” and another Netflix original titled, “The Crown,” a show about Queen Elizabeth and the British royal family.
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Between reality and imagination, there is a territory where the image ceases to be a record and becomes construction. It is in this space that Kaio Cesar’s work takes shape—not as capture, but as language. His gaze is born from an old urgency. Even before technique, there was the need to create possible worlds. Growing
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El artista emergente de Latin trap Zell está listo para llevar la nueva ola del hip-hop underground al siguiente nivel con su más reciente EP. Conversamos con él para conocer un poco más sobre su movimiento. FEATURE INTERVIEW: Háblanos de tu último EP “Zelly”. ¿Qué te inspiró a crear este proyecto y qué mensaje esperas