Maisak: From The Traditional Colombian Popular Music To The Future Of Reggaeton
Afro-Colombian artist Maisak is opening up a bright future for himself among the greats of urban Latin music. We sat down with him to discuss how from his origins on the coast of Santa Marta has been influenced by the classic Vallenato genre, becoming one of the newest talents to keep an eye on in this space, not only in music but in style as well. If you want to learn all about how he does it, keep reading below!
FEATURE INTERVIEW:
Tell us about your origin in music. How did you start your career?
I’m from Santa Marta, a city on Colombia’s coast. Music runs in my blood because of my father. He used to sing Vallenato on the beaches of Rodadero, and I would join him. That’s where my love for music was born, though I can’t pinpoint the exact moment I decided to pursue it as a career.
Our home was always filled with instruments—accordions, guitars, and instruments alike.It was a place where many musicians used to come, so I grew up surrounded by music. That environment instilled in me a deep love for the music world.
When did you start to write songs and discover your talent for it?
I started writing when I was about 14 or 15. I would always write down lyrics, and eventually, I met some friends who had a studio near my house. It wasn’t a proper studio—more like a home where music was created. That’s where I recorded my first songs based on what I had written.
Which references within the world of Vallenato were relevant for the definition of your musical taste and how do you incorporate them today in a more urban genre?
My favorite artist of all time is Diomedes Díaz. But honestly, every Vallenato artist from my region has influenced me. I always say music is like a sponge—you absorb what you grow up listening to, the culture around you, and your surroundings.
If I had grown up listening to old-school reggaeton, maybe my music would lean more in that direction. But Vallenato has deeply influenced me, especially in the way I write lyrics. It’s a genre rich in storytelling, and I try to carry that depth into my urban music.
Apart from music, what does Colombia mean to you?
Colombia represents joy. Also talent, biodiversity, and kindness. The people here are warm and charismatic, something you don’t find everywhere. To me, Colombia is a place where dreams are born and made.
As a young artist who is opening up in the world of urban music and reggaeton, how do you feel about where your career is going? How do you feel you’re doing things a little differently? And how do you feel about being a young newcomer amongst this group of great artists?
I feel blessed. Even though I haven’t been in the industry as long as some of my other colleagues, my journey has moved quickly, and I’m grateful for that. I’ve been fortunate to meet the right people who recognize and help develop my talent. I believe success comes from staying true to who you are and If you are yourself and make great music, the rest follows naturally.
What are a few things you believe a song has to have in order for it to be a hit, regardless of the genre or the artist, in a moment where there is a lot of musical purpose?
A hit song needs to have a message. It also needs to connect with people on a deeper level. I’ve noticed that listeners today appreciate lyrics that respect women. Of course, you can add spice, but it should speak a language in which women can also feel good and comfortable. I also feel that music revolves around love and heartbreak and that songs in between don’t seem to resonate as strongly with audiences.
What stage or concert can you see yourself on in the near future? The stage of your dreams?
Last year, I accomplished more than I ever imagined. Singing at Madison Square Garden was a huge milestone for me. Performing at Atanasio Girardot Stadium in Medellín was another dream come true. Traveling to Costa Rica and feeling the love from fans I didn’t even know I had was also really satisfying. Let’s see what this year brings.
I know you’ve worked a lot with Feid and Maluma. How was it working with them?
Incredible. I first met Maluma while songwriting for his album, and that’s where our friendship and collaboration began. What I admire most about Maluma and Feid are their discipline. Working with them has been a huge learning experience for me.
We talked about your origins. We talked about music. Obviously, Galore is a magazine where fashion is a main part of the aesthetics and the project. What value does fashion have for you in your life and in your career, above all?
Lately, I’ve been learning a lot about fashion and figuring out what works for me and what doesn’t. It’s like music; you have to experiment and find your unique style. I see fashion as another way to express myself. I’m always on the lookout for that perfect “uniform” that fits my vibe.
Speaking of the future, what are your plans for 2025?
Earlier this month I released Descaro 2.0 with Jay Wheeler, Lenny Tavárez and Brytiago. That’s my first project of the year, but there’s so much more coming. I’m working on a song with Andy Rivera right now, and I’m also focused on my album. There will be a lot of collaborations this year too, some I’ve dreamed of for a long time.
Leave Galore readers with one final message.
I always share this message because it changed my mindset: Dreams do come true. If you truly desire something, it will happen. The key is to stay ready and alert because when the right opportunity comes, you need to take it!
TEAM CREDITS:
Editor-in-Chief: Prince Chenoa
Feature Editor: Taylor Winter Wilson (@taylorwinter)
Writer, Wardrobe Stylist & Art Direction: Nicolas Martin Garcia (@garcias_official)
Photography & Set Design: Erika Zambrano (@erika_zambrano), Beauty Visual (@beautyvisual__)
Videographer & Editor Alex Albarran (@alex_recc)
Grooming: Grace Brophy (@gracebrophymakeup)
Brands Courtesy Of: The Room Concept Store (@theroomconceptstore)
