First Tim Gunn attacks Emily Ratajkowski about showing too much of her body in a dress, then he attacks Kanye West for a “dumb” Yeezy Season Four show. The man is really on one this week.
“I’m totally perplexed about why the fashion industry has not looked at these, frankly, dumb, basic clothes and cried ‘Hoax,’” Gunn said on Access Hollywood Live. “Kanye West is a sphinx without a riddle. I just don’t understand why people are so in awe. [The models were] basically wearing stretch undergarments.”
And if that wasn’t mean enough. He added: “I think the only thing dumber than these clothes would be the people who would buy these clothes.”
Okay, way to make literally every young person hate you Tim Gunn.
The Yeezy Season Four show sucked, this much we know. But don’t go insulting all the people who buy and wear the garments. Because the clothes themselves are simply basics, and there’s nothing “dumb” about that.
The Room 33 will present its first official runway show in Paris in collaboration with the platform 1211Pro and FMFW, marking the international debut of the project’s creative universe and the unveiling of its first collection conceived for the fashion capital. Titled “Black on Black”, the show expands the visual language of The Room 33.
GCDS marks ten years with the Spring Summer 26 “What’s in My Bag?”, a runway show that transforms a viral catchphrase into a fully immersive universe.“For us, “What’s in My Bag?” is not just about a meme,” says Calza. “It’s about opening the bag that holds ten years of my world, and showing what’s inside:
Rachel Malina Ross doesn’t perform for the street. She owns it. Wearing jewels by Alexis Bittar mixed with Springs boldest trends, Rachel owns every bit of her confidence. Shot by Igor Malakhov in the blur of a city that thinks it’s important, Rachel moves like she knows something you don’t. The camera doesn’t chase her
Emerging designer Maxwell Bresler unveiled Arcadia, a collection that felt cinematic from the first look to the final walk. Structured military jackets, sculpted corsetry, and sweeping silhouettes set the tone, while Bresler’s signature nautical stripes anchored the collection in a sense of maritime drama. The world of Arcadia balanced precision and fantasy — blending steampunk
