We don’t even need to tell you that there’s a big market for fake products.
From the fake Chanel bags they sell on the side of the street to the fake meat they sell to desperate vegetarians, counterfeit culture is alive and well.
Whether its because Kylie’s lip kits sell out faster than you can find your credit card in the disaster zone better known as your room or people actually trust an anonymous Ebay seller to be honest with them, there’s an awful lot of fake Kylie products being sold right now.
Kylie took to Twitter and Instagram yesterday to rant about how many fake Kylie products are making the rounds, and believe it or not, she wasn’t pissed about losing the revenue, she was pissed because some of those fakes are being made with shit you should never put near your face.
Ten works, five of them new, make up the exhibition, including a large-scale installation measuring approximately 3 meters that can be walked through by the public. The Contempo Gallery presents the first solo exhibition by Sandra Lapage, titled “Cortejo de um cão da lua”, on view from June 20 to July 18 in São Paulo.
Born in Queimados, in Rio de Janeiro’s Baixada Fluminense region, LARINHX occupies a singular place in contemporary Brazilian music. A singer, songwriter, producer, and curator, she has built a career that moves across multiple creative fields, earning influence both behind the scenes and in the spotlight. Her name has become closely associated with projects and
Few groups in Brazil’s new music scene have managed to build such a distinctive identity as Os Garotin. Drawing from soul music, R&B, samba, and MPB (Brazilian Popular Music), the trio formed by Leo Guima, Anchietx, and Cupertino has found a language that feels both familiar and entirely new at the same time. After attracting
Clementaum belongs to a new generation of artists who understand the dancefloor as a form of spectacle. Blending music, performance, and image-making, her presence evokes the energy of a pop star while remaining deeply rooted in the club culture that shapes her identity. Through fast-paced beats, tribal percussion, ballroom references, and an aesthetic profoundly connected
