Omizs: The Artist Burning Bright at the Intersection of Music, Fashion, and Culture
Step into the vibrant universe of Omizs, a visionary artist whose journey from behind the camera to the DJ booth exemplifies the seamless interconnectedness of all art forms. Inspired by moments that pause time—like witnessing M.I.A. rise during Virgil Abloh’s iconic show—Omizs discovered the unifying power of sound to evoke timeless emotion. His mission is rooted in authenticity, community, and love, crafting experiences that fuse music, fashion, and culture into unforgettable gatherings. From colossal events at the Institut du Monde Arabe to spontaneous encounters with stars like Tyga, Omizs embodies a new wave of creative energy that celebrates diversity, inspiration, and the raw beauty of human connection. This is more than art; it’s a movement—one where every beat, collaboration, and moment is crafted with purpose and passion. Welcome to the world of Omizs, where light, sound, and soul collide.
FEATURE INTERVIEW:
Your career path has seamlessly bridged photography, rap, and DJing. How do these different artistic disciplines influence each other, and what is the thread that connects your varied creative pursuits?
Starting my artistic career as a photographer and director was an incredible experience because it taught me what art truly is. Now, as a DJ, music producer, and event organizer, I’ve come to realize that all forms of art are connected. In the end, there’s a common thread that runs through every artistic discipline.
Switching from capturing images for campaigns like Casablanca to creating music and performances, what was the moment or experience that made you realize your true passion lay in the performing arts?
The moment that truly pushed me to make music and start DJing happened during Virgil Abloh’s Off-White show one of his last shows before his passing. He brought M.I.A. on stage, and witnessing her performance from one of the most iconic artists of her generation shocked everyone. It felt like time stopped for all the artists and guests present. That moment opened my mind. It showed me that music, to me, is the main form of art. I realized I needed to express my creativity through sound. Music has a way of evoking emotions that feels timeless and surreal. Even though photography and film are powerful, there’s something magical about seeing people dance to your music in a club it’s just incredible.
Your album, Pictures Vol.1, features collaborations with notable artists like Jok’Air and Slimka. How do these collaborations help shape your vision, and what do you look for in an artist when choosing to work together?
Art especially music isn’t something you create alone. It’s about sharing. The very act of making music is already an act of sharing. That’s why collaborations are so important to me. When you work with other artists especially when they’re your friends it’s even more powerful. You share the same vision, the same artistic connection, the same creative instinct. You just know where the sound is heading. That’s why I had to include several features on “Pictures Volume 1“, and also in “Pictures Volume 2“. Collaborations bring people together they connect the communities around each artist, and that fusion creates something truly special.
As a young artist gaining recognition worldwide, how do you navigate the expectations of the fashion scene and the broader music industry while staying true to your authentic artistic voice?
For me, staying authentic is essential especially with the people who listen to your music, your fans, and those who support your work. Even though the art world and the fashion world too can be very fake at times, it’s important to keep your feet on the ground. You need a clear direction and a stable environment to create your best art.
Your Omizs Parties have become highly coveted events within the fashion world and beyond. What’s the core experience you aim to create for your audiences, and how does fashion influence the vibe and aesthetic of your performances?
The goal behind OMIZS Party was really to bring people together through one single night. The fashion world came gradually, mainly because I was working in it so naturally, people from that scene started showing up. But the real intention was to create a space where all kinds of communities could come together, through music and the energy of the party. Fashion came after. At the heart of HomiesParty, the key word is love it’s really all about love.
Could you tell us the story behind the creation of your most iconic party—the inspiration behind it, the vibe you wanted to create, and how it has evolved over time?
The biggest event we’ve organized since the creation of Omizs Party was the one at the Institut du Monde Arabe in Paris, right on the square . We were lucky enough to collaborate with Diesel and the Institut du Monde Arabe, who gave us access to the venue. We curated a lineup with strong Arab, Middle Eastern vibes. We filled the entire square with 15,000 people it was insane. The goal was to show that the Arab community has a real presence in both the music and fashion industries. We did it, and I truly hope to do it again one day.
What’s the most fun or craziest thing that’s ever happened during one of your events, and how did it unexpectedly shape or influence your vision for your parties?
One of the craziest things that ever happened at one of our parties was during Fashion Week. We threw a OMIZS Party at Silencio, and on the same night, there was the Kid super after-party with Tyga performing. Around 3 a.m., the club was packed, the vibe was perfect and suddenly, right in front of me, I see Kidsuper creative director and Tyga. I was like, wait… aren’t they supposed to be at their own party? Turns out, they had already performed at their event, and then came to ours because they had heard about the party and wanted to check it out. So we ended up with Tyga and the Kidsuper crew at Silencio it was surreal. Hamza, the Belgian rapper, was there too, along with Aaron Piper. It was just amazing.
Fashion seems to play a significant role in your artistic identity and performances. Which designers or style icons have been biggest inspirations for you, and how do they influence your creative aesthetic?
I was lucky to grow up with a mother who listened to a lot of music and was deeply connected to the art world. I was heavily inspired by major Algerian and French artists, due to my roots. I’d say Serge Gainsbourg and Cheb Hasni both musically iconic figures. They were larger than life characters, politically engaged and emblematic in their own ways. In fact, Cheb Hasni lost his life because of that. I find that incredibly powerful.Today, it’s hard to truly analyze what’s going on in art and fashion because there are so many artists and so much happening at once.
Platforms like TikTok and Instagram have a massive impact on our lives, our careers, and the way we communicate. Still, I stay attentive to certain artists who carry a strong identity and bring something real to the art world like Virgil Abloh. I had the chance to work with him, and it was just incredible. Same with Charaf Tajer from Casablanca. During the time I worked with them, I learned so much I truly began to understand what artistic vision and creative direction really mean. it’s hard to say which artists inspire me because everything is moving so fast. So I try to build my own world from what surrounds me from architecture, the cities I visit, my family, my girlfriend, and just people in general. People are what inspire me most.
As someone deeply embedded in both the music and fashion scenes, what styling advice would you give to aspiring artists looking to craft a distinctive and authentic personal look?
The advice I’d give to the next generation of artists is to stay true to themselves, keep their feet on the ground, and look up from their phones. There’s so much beauty around us, but we often miss it because we’re too focused on what’s happening on social media. It’s sad to see how many young people are glued to their screens. I really hope some of them will realize that the world is vast, and that inspiration is right in front of us and all around us.
At just 27, you’ve already lived several artistic lives. Looking ahead, what new creative ventures or directions are you excited to explore that haven’t yet been on your radar?
Yeah, I’ve been lucky to experience so many things in the art world at a young age but I also really put in the work to make it happen. That’s why I’m where I am today. I recently took over the artistic direction of Papillon Club in Paris, which is also an incredible milestone. I feel like I’ve checked off a lot of the boxes I had for my life so far… but there’s still something missing. I’d love to try cinema one day. It’s something that really excites me we’ll see what life has in store.
How does your Parisian background and the city’s vibrant art and music scene influence your musical and visual style? Are there specific Parisian elements that you incorporate into your work?
Paris is, to me, the capital of art. I’ve been lucky to visit places like New York, LA, London, Tokyo, and Madrid but Paris is truly unique. It has everything: a rich history, endless inspiration, and space to create. Living here as an artist is a blessing. I started my journey photographing outside fashion shows, and without Paris Fashion Week, I probably wouldn’t be where I am today. Paris has shaped both my career and my identity. It’s fast but balanced, diverse yet unified a city that constantly inspires. As they say: Here, it’s Paris and it really is the City of Light.
In an industry known for constant change, how do you stay inspired and innovative? Are there particular sources—personal, cultural, or global—that fuel your creativity?
I’m still a small artist in Europe, far from the level of someone like DJ Snake. My inspiration comes from people, my surroundings, and the moments I live. I stay curious through films, music, books, museums, and everyday encounters. Even if work keeps me on my phone a lot, I do my best to stay out in the real world that’s where true inspiration comes from.
TEAM CREDITS:
Editor-in-Chief: Prince Chenoa
Feature Editor: Taylor Winter Wilson (@taylorwinter)
Writer: Frida Garcia D’Adda (@fridadda_)
Photographer: Slake (@le_slake)
