Now that Daniel Craig is stepping down as James Bond, the public is debating whether they prefer Tom Hiddleston, Idris Elba, or Damian Lewis to portray the next 007.
But according to Sam Mendes, the director behind the last two Bond movies — who’s just announced that he won’t direct the next movie — it doesn’t matter who the public wants to play Bond. Because don’t get it twisted; the decision is apparently in the hands of one woman named Barbara Broccoli, who serves as a producer for the franchise.
“It’s not the X Factor, it’s not the EU referendum, it’s not a public vote. Barbara Broccoli chooses who’s going to be the next Bond, end of story,” he said at the Hay Festival in London this weekend. “Without that, there would be no Daniel Craig because public support for Daniel was zero. It was her saying ‘that man over there is going to change the whole thing, I’m going to cast him.'”
Well, it’s too bad that Gillian Anderson’s opinion doesn’t matter regarding the decision, because she wants to play Jane Bond. She tweeted out this photo that someone made, stating her interest in the role. And that would have been awesome.
Ten works, five of them new, make up the exhibition, including a large-scale installation measuring approximately 3 meters that can be walked through by the public. The Contempo Gallery presents the first solo exhibition by Sandra Lapage, titled “Cortejo de um cão da lua”, on view from June 20 to July 18 in São Paulo.
Born in Queimados, in Rio de Janeiro’s Baixada Fluminense region, LARINHX occupies a singular place in contemporary Brazilian music. A singer, songwriter, producer, and curator, she has built a career that moves across multiple creative fields, earning influence both behind the scenes and in the spotlight. Her name has become closely associated with projects and
Few groups in Brazil’s new music scene have managed to build such a distinctive identity as Os Garotin. Drawing from soul music, R&B, samba, and MPB (Brazilian Popular Music), the trio formed by Leo Guima, Anchietx, and Cupertino has found a language that feels both familiar and entirely new at the same time. After attracting
Clementaum belongs to a new generation of artists who understand the dancefloor as a form of spectacle. Blending music, performance, and image-making, her presence evokes the energy of a pop star while remaining deeply rooted in the club culture that shapes her identity. Through fast-paced beats, tribal percussion, ballroom references, and an aesthetic profoundly connected