Avavav SS26 is “Soon on Sale” – a Satire on Consumerism and Creativity’s Collapse into Commerce

For Spring/Summer 2026, Avavav presents its newest  collection in a setting where fashion usually doesn’t come to be born, but to survive  on life support: fashion’s ICU — the outlet store. The conceptual lookbook and short  film show mannequin-like models posing stiffly while shoppers storm the space in a  frenzy, plundering racks plastered with markdown tags. A depressing backdrop for  presenting brand new designs — and precisely the point. 

The “Soon on Sale” presentation is a satire, mocking the fear that haunts every  designer: ending up on the sale rack. The irony is blatant — markdowns are vilified  as failure, yet the fashion system is built to depend on them, with a 55% full-price  sell-through considered a success and standard practice. Designers are pushed to  pump out endless “newness,” accelerating the product life cycle until creativity is  chewed up and spat out. For small independents, this isn’t just unsustainable — it’s  destructive, draining resources, devaluing work, and leaving little room to create  authentically. 

Creative Director Beate Skonare Karlsson reflects, “Recently I’ve been thinking a lot about the paradox of being a ‘free creator’ in a  system that constantly reminds you of its rules. Without even noticing, I’ve caught  myself following them — investing in shows I can’t justify as a small independent  brand, designing at a speed I don’t enjoy, watching pieces end up on sale before  they’ve even hit the shelves. It’s almost funny, if it wasn’t so exhausting. 

I think many of us are stuck in that contradiction: wanting to create something  authentic, while adjusting ourselves to fit into a framework that was built by big  brands. This collection is my way of playing with that tension. By presenting new  designs in a space that already looks discarded, I wanted to highlight how fragile  value has become. It’s sad, but also a little ridiculous — and somewhere in that mix  of exhaustion and humour is where I find myself right now.” 

The SS26 collection takes Avavav’s core DNA of drippy goth streetwear and  experimental tailoring and pushes it into new, often contradictory, directions – echoing the industry demands of constant novelty. One model, looking eerily  artificial, wears a striking red sequin dress that emphasizes feminine curves through  shaded contours, only to reveal bold lettering across the back: 80% SALE. The irony  is as sharp as the silhouette — glamour instantly undercut by its own devaluation. A  heather-grey hoodie dress merges the casual with the sculptural, its puffy short sleeves and circular skirt forming a strange yet compelling hybrid. Avavav’s  signature smocked pants return in exaggerated form, pooling into a drippy silhouette  that resembles a puddle more than a trouser. Faux-fur accessories — from top hats  to fox tails — add retro eccentricity, layered onto modern streetwear shapes. 

First introduced in SS25, prints and fabric treatments evoking a rib-cage motif now  firmly cement themselves as a brand signature: sprayed across crochet, sliced into  hoodies, patchworked onto shirts and slashed on a skeletal maxi dress. It’s not a  new theme for this season – but that’s the whole point. Footwear veers into surrealism: the Luge heel, inspired by the aerodynamic qualities  of Luge footwear, yet stripped of function, features a 22-centimeter spike that turns  performance into parody. The Moonrubber silhouette mutates into a cosmic boot fit  for a stroll on the Milky Way. 

Avavav’s SS26 presentation exposes the absurdity of a system that fears the sale  rack while depending on it, and the toll that cycle takes on creativity itself. And it’s  also one of the reasons why the brand decided to skip the runway this season:  constant push for spectacle is simply unsustainable if you want to preserve creative  integrity. It is at once sad and funny, serious and unserious, but above all clear-eyed:  a refusal to join the race, and a reminder that real value lies in leading with vision  rather than following the rules. Set in fashion’s ICU, Avavav presents something  defiantly alive: a refusal to burn out in the churn, and a reminder that even in decline,  vision can’t be marked down. 







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