Today, space-rock trio SILVERPLANES share their newest LP, Airbus. Helmed by singer/songwriter and multi-instrumentalist, Aaron Smart, drummer and backing vocalist, Jesse Kramer (son of Aerosmith’s Joey Kramer) and bassist / keyboardist, Ian Baca, the band previously released the highly acclaimed EP series, Gulfstream and Bombardier in 2017 and 2018.
Produced by the legendary Jack Douglas (John Lennon, Aerosmith, Cheap Trick) and mixed by the late, great Geoff Emerick (The Beatles, Badfinger, Elvis Costello) Airbusis helmed by classic rock royalty. It strikes a balance between nostalgic and fresh, with timeless melodies that are ethereal yet grounded – melodic 90s alt meets ‘70s California rock.
“SILVERPLANES hits all the harmonics,” says producer Jack Douglas. “Musically and lyrically they strike the right notes. It’s driven by Aaron Smart’s keen sense of pop music history, in particular melodic British rock. SILVERPLANES makes the familiar sound new.”
Fire watch services occupy a critical position within the broader fire safety and compliance ecosystem. When fire suppression systems are offline, alarms are impaired, or high-risk activities such as hot work are underway, trained fire watch personnel serve as the primary line of defense against fire-related incidents. As regulatory expectations increase and operating environments grow
For decades, women have been taught that dieting is the only path to control their bodies. From counting calories in the 1980s to cutting carbs in the 2000s to fasting apps in the 2020s, the message has always been the same: smaller is better, hunger is normal, and willpower is the measure of health. But
William Simeone is Senior Creative Producer at Magnum Photos, the globally renowned photographers’ cooperative known for its pioneering role in visual journalism and documentary storytelling. Based in London, he leads the development of creative partnerships with brands, cultural institutions, agencies, and media organizations, shaping collaborations that extend Magnum’s photography to international audiences. His work focuses
Expectation might be the word that best defines the pulse with which we enter 2026. In a context where technology advances at an almost violent pace, filled with algorithms that predict taste, tools that replicate styles, and an increasingly automated music production, the question is no longer how much music is released, but which music
