The idea of the mannequin challenge is kind of boring, but also mesmerizing to the point where we just can’t get enough of them, so it was only a matter of time before one of the Kardashians got around to making one.
Yesterday, it was Blac Chyna, giving us all a preview of the birthing experience that will soon be broadcast on a TV near you.
Rob was there, kneeling by the foot of Chyna’s vag while Kris was standing over Chyna’s shoulder, finger in her mouth, willing on the madness; and at the center of it all was Chyna, legs open, hospital gown barely covering her nether regions, frozen in a tableaux of the worst pain a woman will ever experience in her life, all to the dulcet sounds of MikeWillMadeIt.
Congratulations, you guys.
The news of Dream’s birth may not have been quite the headline maker you wanted, but at least you hit this one out of the park.
What happens when the places you’ve been, the people you’ve met, and the memories you’ve collected become something you can actually touch? For Peruvian-born, Paris-based architect and interior designer Diego Delgado-Elias, the answer is OFRENDA, his debut collection of furniture and objects. Presented at the Embassy of Peru in France from October 19–21, 2026, the
Paris Fashion Week is getting a little more provocative. Tom of Finland Foundation presents Packed for Pleasure, a new group exhibition exploring nearly a century of art, desire and censorship—and the creative ways artists have continued to make and share work when society tells them not to. Curated by the Foundation’s Chief Curator Brooke Wise
Before understanding that she could work in fashion, Maria Braz already understood the power of an image. Music videos, movies, magazines, red carpets, shows. Britney Spears, Beyoncé, Lady Gaga, Katy Perry, Rihanna. As a child and teenager, she watched, recreated, dressed up, invented characters, and turned her computer into a set for her own productions.
Fashion week, trend fatigue, relationship scheduling, accidental wellness, and the annual September identity crisis. Maybe nothing is wrong with us. Maybe we’ve just been online too long.
