Giulia Calbucci Wants Fashion to Mean Something Again
For Giulia Calbucci, fashion is more than what we wear—it’s a visual language that reflects identity, culture, and the world around us. With an appreciation for cinematic storytelling, historical influences, and unapologetic individuality, her creative philosophy extends far beyond fleeting trends. From her love of dramatic silhouettes and bold color combinations to her desire to create imagery that challenges the endless scroll, Giulia is advocating for a more intentional approach to fashion. In conversation with Galore, she shares her current designer obsessions, the trend she’s ready to leave behind, and why she believes the future of creativity should prioritize time, originality, and human connection.
FEATURE INTERVIEW:
TALK TO US ABOUT WHAT FASHION MEANS TO YOU.
For me, fashion is a way of storytelling through visual language. On a personal level, it reveals individuality, identity, and character through the way we dress. On a broader scale, it reflects culture, society, and the spirit of the times we live in. Ultimately, fashion is a collective form of expression, a language that constantly evolves alongside us.
WHO ARE YOUR FAVOURITE FASHION BRANDS AT THE MOMENT?
Dilara Findikoglu, for her unapologetic dark romanticism; Conner Ives, for his remarkable ability to transform the familiar into something unexpected; and Matières Fécales, for their distinctive fusion of high glamour and theatrical drama. I was also particularly drawn to the latest Tom Ford show, with its cinematic sensuality and impeccably sharp tailoring.
Dress: JULIETTE PASQUIER @juliettepsq_ Shoes:CLARA CIPRIANO @claraiano
WHAT BRAZILIAN BRAND IS A MUST TO KNOW?
Brazil has an extraordinary cultural diversity and a rich, often underestimated fashion heritage. One brand that particularly stands out to me is Maldito, for its distinctly Brazilian identity and its ability to weave culture, imagination, and fantasy into something genuinely unexpected.
HOW DO YOU FEEL YOUR CREATIVITY IS DISRUPTING THE FASHION LANDSCAPE?
My ambition has always been to explore fashion beyond fashion itself, examining its relationship with cultural movements, history, politics, and the wider world. I’m interested in creating imagery and narratives that are visually compelling but also intellectually engaging, even for audiences who might not naturally connect with fashion. I believe in the power of images to challenge perceptions, provoke curiosity, and encourage people to see familiar things from an entirely different perspective.
Coat: ALGIERI PARIS @algieriparis @pr.you.consulting
WHAT IS ONE TREND YOU HATE AT THE MOMENT?
Cow print. I think it’s had its moment, although, admittedly, I was never particularly convinced by it in the first place.
WHAT IS ONE TREND YOU ARE EMBRACING?
Colour blocking and Napoleon jackets. I’m drawn to the contrast between bold, unapologetic colour combinations and the historical, almost theatrical quality of military-inspired silhouettes. There’s something fascinating about bringing references from the past into a contemporary wardrobe.
Coat: ALGIERI PARIS @algieriparis @pr.you.consulting Earrings: MAISON LUMIERE @maisonlumiere.cn @limitee_pr
WHAT IS YOUR SONG OF WINTER?
“Time” by Pink Floyd and “Angel” by Massive Attack. Two very different tracks, but both have an atmosphere and intensity that feel particularly fitting for winter.
FASHION IS…
Language.
WHO WOULD BE YOUR DREAM DINNER PARTY GUEST, DEAD OR ALIVE?
Lee Radziwill. Her impeccable taste, effortless elegance, and ability to move so naturally between the worlds of fashion, art, and high society would make for an endlessly fascinating conversation. She represented a kind of sophistication that transcended trends.
Coat: ALGIERI PARIS @algieriparis @pr.you.consulting Skirt: NADAV PERLMAN @nadavperlman @ritualprojects Shoes: LE GRAND LUTHI @legrandluthi @limitee_pr
WHAT ARE YOU CURRENTLY WORKING ON?
Learning to coexist with the machine. Fashion today is being generated faster than it can truly be experienced. Everything seems to become obsolete within seconds of being created. I’m increasingly interested in moving in the opposite direction: creating images that resist the endless scroll, that invite people to pause, and that have the depth to endure beyond the speed of the digital world. At a time when almost anything can be generated instantly, I’m fascinated by what still requires time, intention, and, above all, a distinctly human point of view.
WHAT CAN WE EXPECT FOR 2027?
I hope to see a return to a slower, more conscious approach to creativity. More space for ideas to evolve organically rather than being rushed into an endless cycle of content. More freedom to experiment, take risks, and develop a genuine creative identity. Above all, I hope for greater empathy in the way we create and consume. In a world increasingly obsessed with immediacy, I believe the most meaningful things will be those we allow the time and space to develop.
Top: CLARA CIPRIANO @claraiano Skirt: NADAV PERLMAN @nadavperlman @ritualprojects Gloves: SOMA FAITANIN @s0ma_f @limitee_pr Shoes: LE GRAND LUTHI @legrandluthi @limitee_pr
TEAM CREDITS:
Editor-in-Chief: Prince Chenoa
Feature Editor: Taylor Winter Wilson (@taylorwinter)
Photographer: Rogger Cordeiro (@roggercordeiro)
Assistant Photographer: Amadeus Galileu (@amadeusgalileu)
Cover Art Design: Carlos Graciano (@sadpapi666)
Videographer: Jacques Sight (@sightsearch)
Sound Designer: Jordan Paul Rousseau (@jrdnplrss)
Makeup Artist: Yanthi Brignol (@yanthibrignol)
Fashion Editor: Carlos Esser (@carlosesser)
Wardrobe Stylist: Serena Pompei (@serena_pp_pompei)
